'When I started reading Tamas I instantly knew it had to be made into a film. I could relate to the tragedy in the lives of the characters.' Govind Nihalani remembers Bhisham Sahni on his centenary.
Imtiaz Ali's new film Main Vaapas Aaunga is set to delve into the enduring trauma of the 1947 Partition, continuing Bollywood's complex cinematic journey of depicting one of history's most violent and impactful events.
At a time when the politics of hostility has engulfed the world and escalated it into senseless wars Main Vaapas Aaunga's unwavering belief in love is a testament to cinema's uplifting gifts, notes Sukanya Verma.
An effortless artist at all times, Surekha Sikri's emotional eloquence and authoritative presence showed a knack for turning moments into meaning.
Quite a few Hindi movies have explored different shades of the landlord-tenant relationship in passing or purposefully.
'We demonise the Others.' 'We are constantly reminded that they are different and are an existential threat to Us.' 'The toxin of Nellie in 1983, Delhi in 1984 and Gujarat in 2002 is not yet flushed out of our body politic,' says Shreekant Sambrani.
Sukanya Verma offers some amazing opening scenes in Hindi films that fuels an excitement for what happens next.
'The blood that runs in the veins of our family can never be anti-national.' 'They called Kanhaiya a traitor for questioning the Indian Army. Do they know that our cousin was killed by militants in Manipur while serving with the CRPF?' Archana Masih/Rediff.com travelled to the land of Lal Salam, Lal Sitara and comrades to find out what moulded India's most talked about student leader, Kanhaiya Kunar.
